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Instructions For
Breathing
by Caridad Svich
"In a world of
hurry, what's the cost of playing? Jon and
Sara return home one night to find that
their child, Sonya, has mysteriously
vanished through a casual act of neglect.
Her disappearance turns her parents – and
the community – upside down with regrets,
judgments, and gossip; but also galvanizes
them to take responsibility for their own
fate in today's global and frenetic society.
This lyrical, dreamlike drama exposes
tragedy in the modern world – personal,
private and public – in a fiercely witty
look at love, lies and the language we use
to disguise our hearts."
A full-length
play that examines a marriage and community
shattered by the disappearance of a child. A
play about loss and faith; an intimate
portrait of quiet lives broken by tragedy,
and how we may heal and transform from
moments of crisis.
Cast: 2 female (30s), 1 female (teens), 3
male (30s). Setting: Several locations
suggested simply.
World Premiere produced by Passage Theatre @
Mill Hill Playhouse, Trenton, NJ.
Artistic Director, June Ballinger.
Original premiere run: April 16-May 10, 2009
Director: Daniella Topol
Cast: Heidi Schreck (Sara), Bryan Close
(Jon), Les (Frank Harts), Leslie (Polly
Lee), Don (Gerardo Rodriguez), Kate Hopkins
(The Girl)
Set Design: Jeffrey Van Velsor
Lighting Design: Charles S. Reece
Costume Design: Gail Hecht
Sound Design: Broken Chord Collective
Line Producer: Kacy O'Brien |

Photo
credit: Cie Stroud |
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About Caridad Svich (Playwright)
Caridad Svich is a U.S. Latina playwright, translator, lyricist and
editor whose works have been produced
across the U.S. and abroad at diverse venues including 59E59, The
Women's Project, The Pearl Theater,
McCarren Park Pool, INTAR, Walkerspace, 7 Stages, Salvage Vanguard,
ARTheater-Cologne and
Edinburgh Fringe Festival/UK. Her works include “12 Ophelias,” “Any
Place But Here,” “Alchemy of
Desire/Dead-Man's Blues,” “Antigone Arkhe,” “The Booth Variations,”
“Iphigenia...a rave fable” and “The
Labyrinth of Desire.”
This spring her new plays “Instructions for
Breathing” and “Wreckage” received their
world premieres, respectively, at Passage Theater/NJ and Crowded Fire/CA
(dir. Erin Gilley). She has
translated nearly all of Federico Garcia Lorca's dramatic works as well
as plays by Lope de Vega, Calderón
de La Barca, Julio Cortazar and contemporary works from Mexico and Cuba.
She has been a Radcliffe
Institute Fellow, NEA/TCG Fellow at the Mark Taper Forum Theatre and a
TCG/Pew Charitable Trust
Fellow at INTAR. Her works have been published by TCG, Playscripts,
Smith & Kraus, BackStage Books,
Arte Público Press, Stage & Screen, Heinemann, and Manchester University
Press. Svich is an alumna
playwright of New Dramatists, founder of NoPassport Theatre Alliance &
Press, Associate Editor of
Routledge's “Contemporary Theatre Review” and Contributing Editor of
“TheatreForum.” Svich is also
member of PEN American Center, The Playwrights Center and The Dramatists
Guild. She is featured in the
Oxford Encyclopedia of Latino History and holds an MFA from University
of California, San Diego. |
Articles
and Reviews
http://www.centraljersey.com/articles/2009/04/19/time_off/entertainment_news/doc49e6637830614945187838.txt
http://broadwayworld.com/article/Passage_Theater_Premieres_INSTRUCTIONS_FOR_BREATHING_416_510_20090330
http://nj.broadwayworld.com/article/Photo_Flash_Instructions_For_Breathing_At_Passage_20090413
http://www.towntopics.com/apr2209/theater1.php
http://www.centraljersey.com/articles/2009/04/22/time_off/theater_reviews/doc49edef510c5e6445712025.txt
http://www.nj.com/entertainment/arts/index.ssf/2009/04/parents_darkest_nightmare_is_a.html
http://theater2.nytimes.com/2009/04/26/nyregion/new-jersey/26reviewnj.html?scp=2&sq=Svich&st=cse
http://www.nj.com/entertainment/times/index.ssf?/base/entertainment-1/1240545942173050.xml&coll=5
http://www.princetoninfo.com/index.php?option=com_us1more&Itemid=6&key=04-29-2009%20Breathing

Photo
credit: Cie Stroud |
Press Quotes
“Svich’s Instructions for Breathing is
heartbreaking, compelling, successful new
play, and while there must be many emotions
and situations that Svich couldn’t fit into
her play about a married couple whose child
goes missing, she gives the impressions that
she’s thought of every one and wrote each
one sensitively.” Peter Filichia, The
Star-Ledger on Instructions for Breathing
“The poetry of this refreshing, invigorating
work is rare in contemporary plays. Given
the subject matter of the play, it might
sound depressing. But it’s strangely
cathartic, even hilarious at times.” Bob
Brown, Princeton Packet (Central Jersey) on
Instructions for Breathing
“Poetic, poignant drama is a story of
devastating loss, its effects and the
struggle towards recovery. Shifting back and
forth between dream and reality, the drama
takes its main characters, Jon and Sara,
along with the audience, from the shock and
despair at the loss of their young daughter
through the shattering of their marriage,
their jobs and their entire lives.. The
poetic words and powerful images of Caridad
Svich prove to be formidable resources in
the haunted world of Instructions for
Breathing.” Donald Gilpin, Town Topics
(Princeton) on Instructions for Breathing
“It’s always refreshing to see brainy
artists at work. Instructions for Breathing
leaves us wanting more of the future work of
Ms. Svich and director Ms. Topol.” Stephen
Wells, The New York Times on Instructions
for Breathing
“A noteworthy and fascinating piece of
theater which wastes no time in cutting to
the heart of the matter. It starts with the
premise of unthinkable tragedy – the
disappearance of a young child – and plunges
into a world of suburban norms, mores, and
faux pas, where friends and neighbors
scramble desperately towards an imagined
center of calm and normalcy while trying to
cope with the epic shift that pulls them
apart so very far away from it.” Jonathan
Elliott, U.S.1 (Princeton) on Instructions
for Breathing |
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