Behind the Curtain Interview With Caridad Svich

Philip Hernandez (PH): In regards to starting out in writing, you stress the importance of continually writing and editing; “editing is a way of continually trying to discover the core of the work itself: what needs to be there.” What is the next most important thing for budding artists?

(CS): Listening to the work is the next most important thing. Really listening. Not only to others read it aloud, but speaking it out loud yourself and listening to the heartbeat of the work. Every theatre text has an essential pulse, tempo, rhythm – something essential that carries through the various dynamics at work over the course of a play. This is why many people say “What is a play about?” I don’t think the question has to do with a “message” or “issue.” The “about” has to do with its heartbeat – where does the piece want to go, where does it want to touch the audience and how (if it does) sensually? Theatre is about the senses being awakened as much as it is about the perceptual shift(s) mentally that being open to a three-dimensional event in space demands from an audience..

 

Read the full interview


News: Five Uneasy Pieces by Caridad Svich in Howlround

Just published in Howlround
December 9, 2012
Five Uneasy Pieces
by Caridad Svich
An essay editor Polly Carl calls “one of the more insightful pieces about how an artist thinks about adventures in form and content, and the artistic journey through the popular and the impossible. Every playwright and theater artist for that matter must read…”

Scheduled Premieres in the 12-13 Season

Scheduled world and area premieres  for OBIE-winning playwright Caridad Svich in the 2012-2013 theatre season:

Her new play GUAPA will receive an NNPN rolling world premiere at Borderlands Theatre in Arizona, Phoenix Theatre in Indianapolis, and Miracle Theatre in Oregon; her play based on Gabriel Garcia Marquez’ Love in the Time of Cholera will receive its Spanish language world premiere at Repertorio Espanol in the fall in New York City, and her play The Tropic of X will receive its English language premiere at Single Carrot Theatre in Baltimore, MD.

There will also be regional premieres of her bilingual version of In the Time of the Butterflies (based on the novel by Julia Alvarez) at Mixed Blood Theatre in Minneapolis and The House of the Spirits at Gala Hispanic Theatre in Washington D.C.

Academic productions in 2012-2013: 12 Ophelias (a play with broken songs) at USC-Los Angeles, and Chico State in California; The Archaeology of Dreams at University of Nebraska-Omaha.


Preview article about GUAPA in Austin

In one sense, new plays are old news in Austin. Local theatre companies have been spotlighting work by hometown playwrights for more than 30 years, and for half that time, new plays have constituted more than a quarter of the work produced on area stages every year. However, when you consider that only a small fraction of those Austin originals have come from writers of color and that Teatro Vivo – one of a handful of companies that consistently mount new works by Latino writers – only launched its festival devoted to such writers last year and that that inaugural festival attracted standing-room-only crowds to its staged readings of three plays, well, it’s clear that new plays are still making news here.

This weekend, Teatro Vivo follows up on that initial success with another trio of dramas fresh from the keyboards of Latino playwrights. For the second round, Artistic Director Rupert Reyes sought scripts from beyond the state’s borders as well as inside them and made room specifically for younger voices. As a result, this festival includes work by a University of Texas student, Arthur Marroquin, and a nationally prominent writer known to local audiences: Caridad Svich, who’s had three plays staged by Salvage Vanguard Theater.

Read the whole thing here.


Democracy – a poem by Caridad Svich

Democracy
(November 2011)
By Caridad Svich

The swelling tide of democracy
Aches the heavy bones,
As slogans are wrought in inky black
And voices echo in tones
Of shouts long heard
And shouts rung out
Free upon the wind.
Go on, my friend,
Where ever you go.
See what lies within.

For there isn’t a now
Without ten years ago,
And without twenty before that.
Remember trickle-down economic woes
And a smiling leader’s decorous spat,
As Contras raged and lies were told
At the expense of memory’s lapse?

It was again, as perhaps it is now,
A failing, struggling land,
Where poverty reigns
In majority claims,
And where a working class
Vanishes fast.

Surrender the tide of vaulting cries
Over the reedy mast.
You’ll find o’er there
In some central square
The remnants of revolutions past.

What can be said
As shopping carts
Are thrown over stores and rails,
And land upon innocent heads
And shatter innocent veils?

It’s said that hate rises again
In crimes across the land.
In boroughs lined with empty flats
And meager little hands
That reach out with guns
And knives and lead
And an occasional smile or two,
Half-wrought in pain,
Half-sought midst blame –
Convenient wreckage,
Painted blue.

For blue is the color
Of sorrow’s mane.
Without it, we’d be doomed
To write the scores
Of many laws
Broken
By necessity’s gloom.

Occupy the streets,
The slogan rings,
While tents sway in the chilly breeze
And infants nest in strollers’ breasts
And seek solace, please.

For here we are
In autumn’s muddle,
Tangled in its thorny cocoon,
As budgets get mangled
By intelligent wranglers
Who somehow can’t add
A line item or two,
Because indebted they are
To those who’ve seduced them
And those who are said to be
Through and through.

Who are these invisible wreckers?
Which flag do they hold high?
Are you now or have you ever been…?
Is that the rallying cry?

So far are we from those shady times
When blacklists and witch-hunts
Ruined lives.
How can it be that ever yet
Our present can’t surmise
The rolling shout of those gone by
The bitter, angry wails
Of shuttered doors
And sad goodbyes
Pledged on democracy’s tails?

How swift is this
Simple word
How common it has become
Does anyone remember democracy’s name
Or is it simply better
To lie and run?

Occupy this land, we shout.
And yet is that the word we want to use?
Has it all come down to terms of war?
Can our language not help but excuse
The penchant toward battle
Invasion and other such ploys?
Can we not absent our language?
From words that seek to destroy?

Gather here, the celebrant says
In some distant church
On some distant isle.

Gather us all
For our daily bread
And let our troubles recoil
At the battles raged
In word and name,
In weapon and dagger strong.

Rest now, my brethren,
Oh sleepy children
Of revolutions
Of post-consumerism’s bile.

Oh blackened day.
Oh little wars.
Rest now, your weary heads
As once sung an ancient song
Upon a pagan’s breath.

Mourn this, oh land
In celebration
Of non-occupation
At long last.
For too many lands
Are occupied still
And who is fasting their fast?

Abated hunger
Gather at the table,
Speak now of one and many
Speak of all who borrow plenty
To simply get by.

Creditors, debtors
Join hands
In the unending cycle
That makes us all
Eternally entwined
In the lender’s library
Of some god-like design.

Pity us all
In this raging mess,
In this errant lunacy
We call success.

Pity the ones
Among us now
Who raise their hands
Without knowing how,
And whisper the strength
Of a sound beyond rage
Beyond indignance ever waged
Change is a-comin,’
Said a lone song once.
Its soulful shout still rings midst the leaves,
As pieces of paper are swept up in the digital debris.

Still waiting, we are
For change to roll by
Ever-comin’
It is
As another November
Lets out a sigh.


Savages by Caridad Svich

Savages

(April 2011)

By Caridad Svich

Salvage all,

Save this I keep for you –

Bitter worn

empty,

yet full of longing

(For another life led

In mystery).

Savage this,

I made for you,

For it will not be here

Much longer.

Torn in pieces long,

In remnants passed

From one hand to another

Liquid, porous –

It awakens every ounce of desire

In my palm.

How could I know you’d leave this

Unknown, strange sensation

Of melancholy?

Rooted in despair

Yet exhilarated

By it,

I’m anxious to relive

Some aspect of damage,

That I never knew

I craved.

It was this you opened

In my consciousness:

Radiant light

Streaming through the eye,

Beam of desire pulsing

Through some vague memory

Once erased from my mind –

Blurry substance of fire

Burn of angels lost

In their own reverie,

What solid thing holds us to earth

And jettisons hope

Of the everlasting fear of loss?

I will learn what it is to let go

Of everything

And in so doing

Rob you

Of your longed-for destiny.

It is here

We make ourselves.

In this light

Burnished

Replicated by a thousand desires

Shaped by destinies

Of those bereft

Of their citizenry.

Damascus ancient

Weaves dark spells

Of enchantment over the land.

A blue wall

A cigarette in the mouth

A scarf on your head

And tired hands rest

Along a wall

And think about a gun once held.

Eyes once witnessed in agony:

Another life.

Another time;

Not me,

Not now,

In end days.

Soon another will be mourned

Along the road.

No words anymore

But smoke,

A look at the sun,

And a cradling of a forgotten gun.

Memories of battles waged –

Old songs of glories and praise.

Hymns for those who have shed blood,

Forgotten names who’ve left their mark

Upon the land.

Pity them, I say

But pity too the sun burnt who stand

Held in fear

Awakened eternally by disparities

Leveled by civilization

Sorry earth,

Forgive us all our trespasses

And when we blight your stones,

And rock dirt blooms,

Be kind.


Writing in the dark (a robin’s cry)

24 November 2010
Writing in the Dark (a robin’s cry)
by Caridad Svich
a sudden prize
of warm hands,
an appreciative glance
bordered by autumn’s light
i wake to this
and so much more,
as wars wage
and prices soar.
it isn’t often thus
that Thanks is meant –
so commonly used is the word;
its meaning is lost midst discontent
and luckless souls stirred.
but there are days
when rescue is found
for the little word
that bears too much,
and much is said
within its grace,
midst tender smiles
and clear-eyed space.
Thanks
is lifted
from the common din,
restless hulabaloo,
and market tins.
Gracia plena,
gracia tanti
echo in the halls of plenty,
where figures hustle
for the morning coffee
and a vague dream of Italy
is in the air.
The busy fiesta of the everyday
burdens the ragged trade;
a Friday blackened by consumerist greed
threatens the spirit of make believe.
But make we must,
the revelers say,
for to not make
will let others hold sway,
and so
anxious glares
and weary feet
plod on through the rainy streets
that only yesterday were soaked in sun,
surrendered only to the blessed dawn.
A day of Thanks
barely remembered
when so many souls have been tendered
in coffins red, blue and white
in desert dust and sudden fight.
“So far, so far”
the saying goes
unsaid by those
weighted with woes,
for who’s to blame
at end of day
when all the soldiers
have stopped their play?
what world sings
of love and Thanks
when tiny bombs
are contained in tanks?
best look to profit
best gather gain
measure fortune by a poor man’s strain,
wallets emptied,
plastic filled,
debt is our inheritance
for good or ill.
Measure thus
careful Thanks
when your friend and lover looks you in the eye;
too soon they’re gone,
too fast they’re lost;
tears spent in hours
drained of goodbyes.
it once was said
that in summer’s past
the robin’s song
would cry for more.
but more is more
under lesser disguise
as the autumn catches
where the robin hides.
and the song is heard
with pale force
on the greyish morn
of coffee’s wane,
all Thanks is said
all thanks I miss
the moments spent
in collegial bliss
when a scratch on the table
left its mark
and a history of writing
yielded to the dark.
it is in night
the fiery glow
of strangers’ love
puts on a show
for none to stare,
and none to buy,
only this hand,
this leg,
this you and I.
what words will you use
when you walk away?
what words of Thanks
are at my door
when the neighbor’s paper
is left by mistake
and I hasten to read
ten thousand more…
dead and dying
in our valleys and plains
in the Americas of violence
riddled with shame.
what words to use,
to lift and make
a heart smile
on this day of grace?
consider this,
my sleepy friend,
it was only yesterday
when the world would end.
yet, here we are
in digital fervor:
electric beings
for a post-millennial age
hastened by worry
over a fickle economy
and the ticklish anxieties
of political rage.
only yesterday
words of Thanks,
only today –
let them sing.