Red Bike Rides in Chicago Oct 15 – 24

Backyard Theatre Company presents RED BIKE by Caridad Svich, an intimate, movement-driven play about a young person riding through a town that is changing faster than they can understand.

Told through memory, motion, and the rhythm of a bicycle, RED BIKE follows The Kid as they move through streets, storefronts, neighborhoods, and questions of money, power, childhood, and belonging. What happens when the place that raised you begins to disappear? What do we hold onto when the world around us is being bought, sold, and renamed?

Presented inside the Berger Park Coach House, this production invites audiences into a close, stripped-down theatrical experience where language, movement, and community carry the story.

Directed by artistic associate Emma Parsons, RED BIKE is a play about growing up, looking closely, and asking who gets to stay in the places they call home.

Tickets and info HERE.

Check out a review in Chicago Reader HERE, which includes this snippet:

… the connection between Berger’s Kid and Kunde’s Old Guy is charming, and filled with insights about the need for intergenerational collaboration in order to fight all the Men Who Own the Towns. “Dreams and visions are two different things,” Old Guy reminds Kid at one point. As she rides through the story, Kid gets her own ideas about how to tell the difference and not get sucked into consumerist hype at the cost of her own humanity.


The House of Bernarda Alba @ Butler University Oct 7 – 10

By Federico García Lorca. Translated by Caridad Svich. Directed by Vladislavs Nastavševs, 2026 Christel DeHaan Visiting International Theatre Artist

After the death of Bernarda Alba’s second husband, the tyrannical matriarch imposes an oppressive mourning period on her five daughters. Tension and isolation take hold as the women struggle to imagine futures for themselves and vie for the one eligible bachelor left in town.

Spanish playwright, director, musician, poet and a key champion of Spanish folklore, Federico García Lorca, reaches profound emotional depths in this work that has defined his monumental career.

Additional details and ticket info HERE.


In the Time of Butterflies runs @ UT El Paso Oct 14-18 2026

In the Time of the Butterflies

October 14, 2026 – October 18, 2026 @ 7:30 PM

UTEP Department of Theatre and Dance, The University of Texas at El Paso, 500 W. University Ave. El Paso, TX 79968

Venue: June Sadowski Kruszewski Studio Theatre

Admission: Ticket Prices: $18 Adults $15 UTEP Faculty/Staff, Alumni, Seniors, Military, Non-UTEP Students $12 UTEP Students $10 Opening Night ONLY

Experience the extraordinary story of In the Time of the Butterflies, Caridad Svich’s powerful adaptation of Julia Alvarez’s celebrated novel, blending fact and fiction. Witness the Mirabal sisters’ courage as they risk everything to defy Rafael Trujillo’s brutal dictatorship in the Dominican Republic. Through poetic language, compelling performances, and striking theatricality, this unforgettable production explores the unbreakable bonds of sisterhood, the cost of resistance, and the enduring pursuit of freedom. Join us for a moving and entertaining experience that celebrates women’s resilience and reminds us that justice is the foundation of peace.

View addition details HERE.


Songs from Bark of Millions in Central Park in September

Caridad makes Public Theater Delacorte debut as a co-writer of one of the songs in Taylor Mac and Matt Ray’s BARK OF MILLIONS September 18th through 20th in Central Park. If you’re in NY and wish to hear some terrific music in celebration of lgbtqia history…


Taylor Mac & Matt Ray: Songs from Bark of Millions

September 18, 2026 – September 20, 2026

Venue The Revitalized Delacorte Theater

Performed by the Plethora
Music and Musical Direction by Matt Ray
Lyrics and Direction by Taylor Mac
Joe’s Pub in the Park 

The event of the season is coming to The Delacorte Theater for three unforgettable nights. MacArthur Fellowship-winning icon Taylor Mac reunites with Obie Award-winning composer Matt Ray to share songs from their epic rock-opera meditation on queerness, BARK OF MILLIONS, featuring special guests and performers from the original production. This special concert version—adapted for an evening in Central Park—is an electrifying blend of performance, live music, and drag spectacle. Inspired by queer figures past and present, the duo crafts an expansive new canon of original songs, inviting audiences into a space of reflection, community, and exuberant celebration. As Mac says, if you’re not invited to the party, throw a better one! Produced by Pomegranate Arts. 

Tickets and info HERE.


Out now! In This World on Mind Dream Theater

No judgment when you are waiting, only the stark reminder that you are alive. A darkly comic portrait of a person witnessing the world.

Listen on Patreon (free to subscribers! consider becoming a member!)

Listen on our website

Listen on YouTube

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Credits
written by Caridad Svich
directed by Allyson Dwyer
with Lianne El Souki and Harold Lehmann
sound design by Robin Margolis
engineered + mastered by Kegan Zema
recorded at Spaceman Sound

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About the artist
Caridad Svich (playwright) has received a Guggenheim Fellowship in Drama, an Obie for Lifetime Achievement and the ATCA Primus Prize, among other honors. Key works include 12 OPHELIAS, RED BIKE, IPHIGENIA CRASH LAND FALLS… , THE WAY OF WATER and IN THE TIME OF THE BUTTERFLIES (based on Julia Alvarez’ novel). They have edited several books on performance, among them TRANSMEDIA THEATRE PLAYS and TOWARD A FUTURE THEATRE (Methuen Drama). Feature Film: FUGITIVE DREAMS on Apple TV. She is published by TRW Plays, TCG, Intellect and more. She is founder of NoPassport theatre alliance and press.


Sui Generis: a tribute by Luis Alfaro

The fabulously talented Luis Alfaro wrote about Caridad in a recent Substack article which begins this way:

***

I am pretty sure that I met the most unique and lovely writer, Caridad Svich, over thirty years ago, in 1994, in the PlayLab’s Festival at the Playwrights Center in Minneapolis.


She presented a beautiful poetic, dramatic piece of art called ‘Alchemy Of Desire/Dead-Man’s Blues’, which was directed by another soon-to-be great friend, Lisa Peterson.


I remember that it partly took place in a swamp, was about a dead soldier, who also appeared in the play, and had original songs that Caridad wrote.


One of its themes involved fried chicken, and actors were walking around with Kentucky Fried Chicken buckets for shoes.

***

You can read the lovely tribute in its entirety HERE.


Eva Luna to play in DC in February, 2027

EVA LUNA

At the Gala Hispanic Theatre

By | De Isabel Allende (Chile)
Adapted by | Adaptada por Caridad Svich
Directed by | Dirigida por José Zayas

February | Febrero 4 – 28, 2027
In Spanish with English surtitles | En español con sobretítulos en inglés
Performances: Thursdays – Saturdays 8 pm, Sundays 2 pm | Funciones: Jueves a sábados 8 pm, domingos 2 pm

BUY TICKETS

Born into poverty, a fearless young woman reinvents herself amid political upheaval and improbable love. Sweeping, sensual, and defiant, this adaptation of Isabel Allende’s novel follows her rise from invisibility to influence—and her refusal to let the world define her fate. 

Nacida en la pobreza, una jovencita se reinventa para enfrentar la tensión política y sus pocas oportunidades en el amor. Sensual y desafiante, esta adaptación de la novela de Isabel Allende aborda su ascenso de la invisibilidad a la esfera de influencia y su negativa a dejar que el mundo decida su destino.

Student Matinees: For more information, click here.
Matinés estudiantiles: Para mayor información, presiona aquí.
Noche de GALA and Press Night (Noche de prensa): Saturday, February 6, 2027 at 8 pm | Sábado, 6 de febrero de 2027, a las 8 pm.


Eva Luna opens at Teatro Dallas in November

Inspired by Isabel Allende’s award-winning novel and reimagined by Caridad Svich, this theatrical adaptation tells the story of a young woman who refuses to disappear.

Born into poverty and loss, Eva Luna survives through the force of her imagination, transforming hardship into story and invisibility into voice. As she moves from servitude into the margins of a politically volatile city, she encounters revolutionaries, sex workers, artists, and exiles, all navigating a world shaped by repression and desire. In a landscape where women’s bodies are controlled and dissent is punished, Eva discovers that storytelling itself is power.

This production blends magical realism, live music, and ensemble-driven performance to illuminate themes of gender justice, migration, censorship, and resilience. At its core, Eva Luna is a celebration of the artist as a truth-teller and of community as a force for survival and change.

(In English)

Ages: 13+

Dates & Times

November 6th – November 22nd

Thursdays – Saturdays at 7:30pm

Sundays at 3pm

Location

The Latino Cultural Center
2600 Live Oak St.
Dallas, TX 75204


Look for an additional production to open in Washington, DC in Spring of 2027!


War Painting at the Lucille Lortel Theatre Streams June 1-17

WAR PAINTING

By Caridad Svich
Directed by Jackson Gay

“Our performance is survival”

In this dark comedy-drama, a wealthy couple invites their erstwhile friend over for an evening. An innocent affair turns savage, as Western civilization itself is dismantled. What wars do we harbor in the name of art?

WAR PAINTING was nominated for the 2026 Susan Smith Blackburn Prize, and was 2026 Finalist for the Blue Ink Award from American Blues Theater, Chicago.

Developed by The Alcove at the Lucille Lortel Theatre, produced by Caridad Svich.

Cast: Scott Shepherd, Alfredo Narciso, and Gregg Mozgala

Sound Design: Matthew Nielson

Stage Manager: Caden Cristiano

More details including RSVP to stream HERE.

And a sneak peek trailer:

Check out a Substack post written by Caridad HERE. A taste:

Some plays are odes to friendship and others are anatomies of how friendships go awry. When I wrote WAR PAINTING (a free digital version of it streams June 1-17, 2026 from the Lortel Theater in New York City under Jackson Gay’s direction), I was (and still am) interested in how solidarities break among people, what lies get told to get by, and how class/power dynamics affect people’s ability to truly connect with one another.