Author: csvich21

RETURN TO THE UPRIGHT POSITIONS
performances Sept 20-October 1st, 2011
at Michigan State Univ. Dept of Theatre

link:  Michigan State University Department of Theatre – Two 9/11 Plays.

ASHLAND, OREGON, July 8, 2011 – At its annual conference, the American Theatre Critics Association today announced that playwright Caridad Svich has been awarded the $10,000 Francesca Primus Prize for The House of the Spirits. Svich will receive her check immediately and be celebrated at an upcoming ATCA conference.

Jointly sponsored by ATCA and the Francesca Ronnie Primus Foundation, the Primus Prize is given annually to an emerging woman theater artist. Playwrights, artistic directors, and directors are eligible to apply.

Svich’s play is a dramatic adaptation of Isabel Allende’s sprawling novel, The House of the Spirits, which follows the fortunes of three generations of a Chilean family, especially its women, against the backdrop of political upheaval that shaped and split the country during the major part of the 20^th century. That Svich could translate such an encyclopedic work into a concise and emotionally powerful play is admirable enough, but she does it with a wonderful mix of poetry, song, and earthy realism that brings the characters and events that shape their lives to vibrant life.

The House of the Spirits was read as part of the 2010 Colorado New Play Summit and given a full production at the Denver Center Theatre Company in the fall. A Spanish-language version premiered in 2009 at Repertorio Espanol/NY, where it won numerous awards. The Mixed Blood Theatre in Minneapolis staged a bilingual production last fall.

The Denver Post acclaimed the play as the best theater production of 2010, and author Allende commented, “Caridad didn’t try to follow the plot. She recreated the atmosphere and spirit of the book. She has a very original, very special kind of mind. She’s not restricted by anything.” Svich’s command of languages enables her to write fluidly in English and Spanish.

Svich was selected from 22 nominees by ATCA’s nationwide committee of critics, headed by Barbara Bannon and composed of Marianne Evett, Kathryn Osenlund, Lynn Rosen, and Herb Simpson.

“The Francesca Ronnie Primus Foundation was established to recognize and support emerging women artists who are making a difference in the theater community in which they work,” observed Barry Primus, the foundation administrator. Founded in 1997 in memory of actress, critic and ATCA member Francesca Primus, the Primus Prize has

been overseen by ATCA since 2004, when the qualifications were expanded to include directors and artistic directors.

Svich had two other plays premiere in 2009: Instructions for Breathing at the Passage Theatre in New Jersey and Wreckage at the Crowded Fire Theatre in California. Her other plays include Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart, 12 Ophelias, and The Booth Variations. In addition to her writing, Svich is the founder of NoPassport theater alliance and press, which enable Latino theater artists and professionals to connect, collaborate and publish their work. She is the recipient of the Lee Reynolds Award from the League of Professional Theatre Women as well as multiple fellowships and grants, and her plays have been short-listed three times for the PEN USA West Award. Svich’s work has been staged at theaters ranging from the Cincinnati Playhouse to the ARTheater-Cologne in Germany, and from Victory Gardens Theatre in Chicago to the Teatro Mori Parque Arauco in Chile.

ATCA is the national organization of theater critics, an affiliate of the International Association of Theatre Critics. In addition to the Primus Prize, it administers the $40,000 Harold and Mimi Steinberg/ATCA New Play Award and the M. Elizabeth Osborn Award. ATCA members also recommend a regional theater for the annual Tony Award and vote on induction into the Theater Hall of Fame. For further information, go to www.americantheatrecritics.org.

Previous Winners of the Francesca Primus Prize

1997 Julia Jordan, playwright, Tatjana in Color

1998 Brooke Berman, playwright, Wonderland

1999 Melanie Marnich, playwright, Blur

2000 Brooke Berman, playwright, Playing House

2001 S. M. Shepard-Massat, playwright, Some Place Soft to Fall

2002 Alexandra Cunningham, playwright, Pavane

2004 Lynn Nottage, playwright, Intimate Apparel

2005 Michelle Hensley, artistic director of Ten Thousand Things Theatre Company, Minneapolis

2006 Karen Zacarias, playwright and founder/artistic director of Young Playwrights’ Theater, Washington, D.C., Mariela in the Desert

2007 Victoria Stewart, playwright, Hardball

2008 EM Lewis, playwright, Heads

2009 Jamie Pachino, playwright, Splitting Infinity

2010 Michele Lowe, playwright, Inana

http://www.unomaha.edu/cfam/eventscalendar.php

University of Nebraska-Omaha College of Communication, Fine Arts and Media
and its Department of Theatre
presents

12 OPHELIAS
(a play with broken songs)
by Caridad Svich

November 16-19 and November 30-December 3, 2011

* Theatre performances will start at 7:30 p.m. in the University of Nebraska-Omaha Theatre, Weber Fine Arts Building, unless otherwise noted. Call the University of Nebraska-Omaha Theatre Box Office for tickets, 554-PLAY (7529).

http://performancestudies.tamu.edu/events/blueprint-theatre

Blueprint Theatre,
the summer theatre company for the Texas A & M Department of Performance Studies,
presents

Antigone Arkhe
by Caridad Svich

directed by Evleen Nasir

Antigone Arkhe by Caridad Svich is an innovative interpretation that juxtaposes Sophocles’ Antigone against the background of both a museum and technological recordings of life in a modern war zone. The play collapses time in order to tell the similar stories of Antigone and that of a girl currently living in the Middle East.

Performances: July 1, 3, 8, 10, 15, 17, 2011

The show will be running in repertoire with Theresa Rebeck’s Bad Dates in the Fallout Theatre. Shows will run on alternating nights, Thursday- Saturday, for the first three weekends in July beginning on June 30th at 7:30 pm. There will also be 2:00 pm matinees on all three Sundays. All performances are free and open to the public.

“On their last day of class, students in Drama 210 meet the playwright for whom they’ve been designing a set — for the second time. But the School of Drama didn’t have to pay the playwright’s airfare and hotel bills; her visits came via Skype.

It’s all part of the major assignment students have in the Theater Technical Practice class, which introduces undergraduate students to the art of designing sets. They’re asked to read a play, talk to the playwright about it and then — with another student as a partner — design a set for it. At the end of the quarter, the playwright looks at and comments on models of the sets students have created….

“The subject this quarter is Caridad Svich, author of a play called Magnificent Waste that recently had its premiere at a small theater in Washington, D.C. Svich was smiling and relaxed, and seemed happy to answer as many questions as the students could throw at her. It even turned out that though the play is set in the New York art world, it has a local connection. She did the major writing on it while she was a writer-in-residence at Hedgbrook on Whidbey Island.

For many of the students, talking to the playwright makes a difference…

Read the whole thing here.

“A new fund for female playwrights, a more selective field of new plays and special honors for Tony and Pulitzer nominee Lee Blessing will highlight the sixth annual Great Plains Theatre Conference.

Starting Saturday, the eight-day conference will again provide a showcase and workshops for new playwrights with staged readings of their plays, critiques by established playwrights and others, and a full slate of workshops….

“The Women Playwrights Fund, new this year, has sponsored the appearance of established playwright Caridad Svich at the conference, along with emerging playwright Ellen Struve of Omaha. Svich’s play will be performed Sunday night, and Struve’s will get a reading Tuesday morning.

Read more here

“Continuing my posts in celebration of the Great Plains Theater Conference, here is a very recent piece I wrote for El Perico, a dual English-Spanish language newspaper published inSouth Omaha, about Caridad Svich, a featured playwright at the 2011 conference. I did a very long phone interview with Svich and had enough material for a full blown feature profile of her, but my assignment called for a short  700-word piece and that’s what I delivered.  I still think I managed to get some sense for who she is and how she views things in the article, though I would have preferred to have more space in order to flesh some points out and to include other elements of her life and story.

read more here: http://leoadambiga.wordpress.com/2011/05/29/featured-great-plains-theatre-conference-playwright-caridad-svich-explore-bicultural-themes/

The April issue of ASYMPTOTE, just out, features new translations of José Saramago, Ingrid Winterbach, Torgny Lindgren and Imre Kertész, a dispatch from post-quake Japan, a memoir from Cuba, poems by Fernando Pessoa, Cesar Vallejo and Max Lichtenstein, drama by Han Lao Da, new original English language work by Bharati Mukherjee, Desmond Kon Zhicheng-Mingdé and Justin Taylor, essays on Jean-Christophe Valtat and Sigizmund Krzhizhanovsky, the photos of Yevgeniy Fiks offering an alternate history of Moscow, a Q&A with Taiwanese video artist Chia-En Jao, an interview with noted translation scholar Susan Bassnett and more. Also in ASYMPTOTE are critical essays, and reviews of the latest books. All of it is available free online at our aesthetically exciting website, where we post not only the translated texts, but also, when available, the works in their original languages, audio recordings of those originals, and accompanying artwork specially curated for each issue.

Asymptote Issue Two is available now, by clicking here: http://asymptotejournal.com