Caridad Svich’s HIDE SKY receives a roundtable reading at the Lark Play Development Center in New York City on May 1, 2013 directed by Mia Rovegno; short play THE WAKEreceives reading at Theater Simple in Seattle, WA on May 2nd, 2013 as part of NoPassport’s Gun Control Theatre Action directed by Andrew Litzky; short play SHE receives reading with The Artists Playground Theatre at the Players, NY on May 6, 2013 as part of a Women in Theatre Celebration; SPARK receives reading at Bristol Riverside Theatre in Bristol, PA on May 20, 2013 directed by Jose Zayas. For more information: http://www.brtstage.org/
Category: News
Exclusive Hour Long Interview with Caridad Svich
Link to Univ of Nebraska-Lincoln Lecture Series and my lecture on Feb 21, 2013
my short play Elysium at 3 AM published in eleven eleven journal issue #14
THE WAY OF WATER dates set for Wales UK presentation
dates set for THE WAY OF WATER in Wales in March 2013 presented by Welsh Fargo Touring Company
http://www.welshfargostagecompany.com/2013/02/way-of-water-caridad-svich/
ARCHAEOLOGY OF DREAMS at UNO in Feb and March 2013
THE TROPIC OF X premieres in Baltimore
Gala Hispanic premieres HOUSE OF THE SPIRITS
News: Broadway World link to GUAPA in Indiana
Behind the Curtain Interview With Caridad Svich
Philip Hernandez (PH): In regards to starting out in writing, you stress the importance of continually writing and editing; “editing is a way of continually trying to discover the core of the work itself: what needs to be there.” What is the next most important thing for budding artists?
(CS): Listening to the work is the next most important thing. Really listening. Not only to others read it aloud, but speaking it out loud yourself and listening to the heartbeat of the work. Every theatre text has an essential pulse, tempo, rhythm – something essential that carries through the various dynamics at work over the course of a play. This is why many people say “What is a play about?” I don’t think the question has to do with a “message” or “issue.” The “about” has to do with its heartbeat – where does the piece want to go, where does it want to touch the audience and how (if it does) sensually? Theatre is about the senses being awakened as much as it is about the perceptual shift(s) mentally that being open to a three-dimensional event in space demands from an audience..


