ARCHAEOLOGY OF DREAMS at UNO in Feb and March 2013

University of Nebraska-Omaha
presents the academic premiere of
ARCHAEOLOGY OF DREAMS
by Caridad Svich
February 19-23, February 28, March 2, 2013
A seriocomic, kaleidoscopic exploration of the intersection between origin, history, and memory as a child is born in the U.S. in the year 1963. A President is about to be assassinated, a country singer dies, a senator falls from grace, and two surfers look for bliss in the imagined Scottish skies.
Directed by Thais Flaitt Giannoccaro (Graduate Final Project)

ARCHEAOLOGY_1

Behind the Curtain Interview With Caridad Svich

Philip Hernandez (PH): In regards to starting out in writing, you stress the importance of continually writing and editing; “editing is a way of continually trying to discover the core of the work itself: what needs to be there.” What is the next most important thing for budding artists?

(CS): Listening to the work is the next most important thing. Really listening. Not only to others read it aloud, but speaking it out loud yourself and listening to the heartbeat of the work. Every theatre text has an essential pulse, tempo, rhythm – something essential that carries through the various dynamics at work over the course of a play. This is why many people say “What is a play about?” I don’t think the question has to do with a “message” or “issue.” The “about” has to do with its heartbeat – where does the piece want to go, where does it want to touch the audience and how (if it does) sensually? Theatre is about the senses being awakened as much as it is about the perceptual shift(s) mentally that being open to a three-dimensional event in space demands from an audience..

 

Read the full interview


News: Five Uneasy Pieces by Caridad Svich in Howlround

Just published in Howlround
December 9, 2012
Five Uneasy Pieces
by Caridad Svich
An essay editor Polly Carl calls “one of the more insightful pieces about how an artist thinks about adventures in form and content, and the artistic journey through the popular and the impossible. Every playwright and theater artist for that matter must read…”

News: BUTTERFLIES extends in Uruguay and NYC

IN THE TIME OF THE BUTTERFLIES/EN EL TIEMPO DE LAS MARIPOSAS
by Caridad Svich
Based on the novel by Julia Alvarez
has extended its performances in Montevideo, Uruguay at the Teatro Circular directed by Alicia Dogliotti until December 16, 2012.
Meanwhile, its performances at Repertorio Espanol in New York City directed by Jose Zayas have extended until May 2013.